For “Damage Control Observatory” (2017), Julie Wolfe, like Mary Jean Canziani, presses a found book into service, pinning its pages into a large grid on the wall and accentuating them with three-dimensional objects that could have been rescued from a riverbed (the wall label mentions “water samples taken from local and international waterways”) or harvested for spare parts on a Quay Brothers stop-motion animation...
Julie Wolfe, “Damage Control Observatory” (2017), found objects, digital prints and screen prints on found book pages